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Talula’s: The Toughest Reservation in the U.S.?

Husband-and-wife proprietors Bryan Sikora and Aimee Olexy run Talula's Table.
Alex Chadwick, NPR
Husband-and-wife proprietors Bryan Sikora and Aimee Olexy run Talula's Table.
Currently only one group a night can try this risotto.
Currently only one group a night can try this risotto. / Alex Chadwick, NPR
Up to 12 people can fit around Talula's Table each night.
Up to 12 people can fit around Talula’s Table each night. / Alex Chadwick, NPR
Rigatoni with snails is one of the seasonal specialties that customers wait a year for.
Rigatoni with snails is one of the seasonal specialties that customers wait a year for. Alex Chadwick, NPR /

When foodies hear “tough reservation,” they generally think French Laundry in Napa or Le Cirque in New York — both known for their six-month waiting lists. That’s a snap compared with a spot at Talula’s Table.

Located in historic Kennett Square, a Pennsylvania town some 35 miles south of Philadelphia, Talula’s requires a full year’s wait — if you can get a reservation at all.

By day, Talula’s is an upscale market, filled with luscious cheeses, mustards and fresh-baked breads.

In the evening, when the market closes its doors, it’s a different story. A single farm table becomes center stage for one of the country’s most exclusive dining experiences. A dozen lucky people gather around it to share an eight-course meal that runs from egg custard with Jonah crab to osso bucco made from pork, all prepared with local ingredients by husband-and-wife proprietors Bryan Sikora and Aimee Olexy.

Because of the restaurant’s popularity and its single nightly seating, Olexy has devised a special system for selecting diners. Though the phone often begins ringing with requests at sunrise, she does not pick it up until 7 a.m. on the dot. The caller is then offered a reservation exactly one year later. Requests for earlier or later are denied, as are attempts to play the VIP card to skirt the procedure entirely.

These rules keep booking simple, Olexy says.

Sikora, the main chef, says he hopes to open a more traditional restaurant in Kennett Square one day.

It’s unlikely that Talula’s customers are craving a larger venue, however.

“The food is tremendous, and the fact that you feel like you are eating in your own living room is wonderful,” said Tray Katzenbach, who sampled the fare on a recent evening.

New York actor John Turturro, known for films such as Quiz Show, is also a fan. “Each dish was a separate love affair,” he told Portfolio.com. “It was the kind of a meal you’d request before your execution.”

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Steve Proffitt is Senior Producer for Day to Day. In addition to on-air reporting, he’s responsible for a stable of contributing writers, including humorists Brian Unger and Annabelle Gurwitch, and musician and critic David Was.

Proffitt began his public broadcasting career at KERA in Dallas. He joined NPR in 1980 and served as an editor and producer. It was there that he began producing short, highly produced features on banal topics: a 1982 piece, "Dust," exemplifies his early work.

In 1983, Proffitt moved to Los Angeles, where he contributed stories to NPR programs, produced books-on-tape and wrote movie trailers. In 1987 he joined CBS News as an associate producer, and shortly thereafter began a 10 year run as a contributing editor to the Los Angeles Times' Sunday Opinion section.

In the mid-'90s, Proffitt joined a Los Angeles advertising agency that was creating one of the first internet production units. He helped build early Web sites for clients such as Canon and Sony. In 2000, he took a position with the consulting firm Sapient, where his clients included Hallmark, Washington Mutual and Nissan.

Proffitt returned to NPR in early 2003 to work on the launch of Day to Day. One of his favorite pieces he's produced for that show is "Sliders," a portrait of two middle-aged guys in Berkeley, California, who rides skateboards, at speeds of up to fifty miles an hour through the hilly streets and highways in that northern California community.

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