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Varsha’s Tiny Desk Contest is inspired by the Hindu goddess Durga

VARSHA KRISHNAMOORTHY: I’m currently sitting in my ancestral village. This is where my grandpas’ grandpas’ grandpas and all of them retired. And they come back to this village when they grow old. We are in the middle of a function right now for my grandpa, so I’m actually sitting in his home in a sari. So I think that I’m definitely in the midst of reconnecting to my roots right now.

SACHA PFEIFFER, HOST:

Varsha Krishnamoorthy is a 21-year-old singer-songwriter of Indian descent. She’s also one of the hundreds of musicians who submitted a song to this year’s Tiny Desk Contest, and she was a standout for her song called “Woman.”

(SOUNDBITE OF SONG, “WOMAN”)

KRISHNAMOORTHY: (Singing) I am woman.

PFEIFFER: She calls it fusion music. She blends the sounds of traditional Indian songs with American R&B. Krishnamoorthy says her music is influenced by having lived all around the world and regularly spending time with her family in India.

KRISHNAMOORTHY: I grew up visiting India almost every summer, and it definitely feels like I learn a lot every time I come back here. And I take little bits of those lessons and try and implement them in my sound, and I think it definitely reflects in my artistry.

(SOUNDBITE OF SONG, “WOMAN”)

KRISHNAMOORTHY: (Singing) I am desire. I am beauty. I’m affection, introspect within. I am what has been.

The song is about the experience of South Asian women and all of the different aspects of what it means to be a South Asian woman. And it’s particularly told through the lens of Durghama, who is one of the most powerful, all-encompassing Hindu goddesses.

(SOUNDBITE OF SONG, “WOMAN”)

KRISHNAMOORTHY: (Singing) I am woman. I am woman.

The strength of a woman, the beauty and nurturing aspects of a woman, how she flows, the curves, you know, the union which is womanhood, all of those things I took from different names that Durghama is called and what those different names mean.

(SOUNDBITE OF SONG, “WOMAN”)

KRISHNAMOORTHY: (Singing in non-English language).

I always knew that I wanted to include it in the song because this specific prayer is for Durghama. And because I was writing it from the lens of all of her different incarnations and manifestations, I wanted to make sure that I included a prayer to her. It is basically saying, glory to Durghama in all of her auspiciousness and salutations to her. I know that recently there’s been kind of a wave of Indian fusion artists that are coming up, and I think that’s so exciting. And I think that that sort of representation is so important for Indian or Desi kids or South Asian kids growing up in the West to have that sort of representation and say that, oh, I can be from the U.S. or from a Western country and still be proud about my Indian identity. So that’s why I think that it was so important to me that I do this song specifically for the competition.

PFEIFFER: That’s Varsha Krishnamoorthy. Her submission to the Tiny Desk Contest is called “Woman.”

(SOUNDBITE OF SONG, “WOMAN”)

KRISHNAMOORTHY: (Singing) Universe and time, hundred-eyed, day and night… Transcript provided by NPR, Copyright NPR.

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Sacha Pfeiffer is a correspondent for NPR's Investigations team and an occasional guest host for some of NPR's national shows.

Pfeiffer came to NPR from The Boston Globe's investigative Spotlight team, whose stories on the Catholic Church's cover-up of clergy sex abuse won the 2003 Pulitzer Prize for Public Service, among other honors. That reporting is the subject of the movie Spotlight, which won the 2016 Oscar for Best Picture.

Pfeiffer was also a senior reporter and host of All Things Considered and Radio Boston at WBUR in Boston, where she won a national 2012 Edward R. Murrow Award for broadcast reporting. While at WBUR, she was also a guest host for NPR's nationally syndicated On Point and Here & Now.

At The Boston Globe, where she worked for nearly 18 years, Pfeiffer also covered the court system, legal industry and nonprofit/philanthropic sector; produced investigative series on topics such as financial abuses by private foundations, shoddy home construction and sexual misconduct in the modeling industry; helped create a multi-episode podcast, Gladiator, about the life and death of NFL player Aaron Hernandez; and wrote for the food section, travel pages and Boston Globe Magazine. She shared the George Polk Award for National Reporting, Goldsmith Prize for Investigative Reporting and Selden Ring Award for Investigative Reporting, among other honors.

At WBUR, where she worked for about seven years, Pfeiffer also anchored election coverage, debates, political panels and other special events. She came to radio as a senior reporter covering health, science, medicine and the environment, and her on-air work received numerous awards from the Radio & Television News Directors Association and the Associated Press.

From 2004-2005, Pfeiffer was a John S. Knight journalism fellow at Stanford University, where she studied at Stanford Law School. She is a co-author of the book Betrayal: The Crisis in the Catholic Church and has taught journalism at Boston University's College of Communication.

She has a bachelor's degree in English and history, magna cum laude, and a master's degree in education, both from Boston University, as well as an honorary doctorate of humane letters from Cooper Union.

Pfeiffer got her start in journalism as a reporter at The Dedham Times in Massachusetts. She is also a volunteer English language tutor for adult immigrants.

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