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Sparks: Tiny Desk Concert

It’s hard for me to comprehend what a newcomer to Sparks would make of seeing brothers Ron and Russell Mael for the first time. Ron, the mustached one behind the keys, looks like he once was a silent film star and just fell off the silver screen (and is a bit grumpy about it). On the other hand, Russell, with his upbeat posture, sings about a girl crying in her latte. Hopefully, by the time Russell introduces us to the second tune, about a 22-hour-old child seeing the world and wishing to go back to whence he came, the innocent viewer/listener will understand the twisted humor Sparks has been dispensing for over 50 years across a few dozen albums.

When the duo’s first records came out in the early 1970s, I managed a record store and played the albums on our turntable. Sometimes it would drive away customers (Sparks are an acquired taste), and other times it would kindle new friendships. I’d have never dreamed that Sparks would be making music all these years later, let alone playing at my office desk. And I also could not have imagined that the band’s latest album, The Girl Is Crying In Her Latte, would be as good as ever. After three new songs, Sparks takes one dip into the past, “a Sparks golden oldie,” as Russell puts it. With a great band behind them, Ron and Russell played the song “This Town Ain’t Big Enough for Both of Us,” bringing unimaginable joy to me and hopefully to those just discovering Sparks.

SET LIST

  • “The Girl Is Crying In Her Latte”


  • “Nothing Is As Good As They Say It Is”


  • “It Doesn’t Have To Be That Way”


  • “This Town Ain’t Big Enough For The Both Of Us”




  • MUSICIANS

  • Russell Mael: vocals


  • Ron Mael: keyboards


  • Evan Weiss: guitar, vocals


  • Max Whipple: bass


  • Eli Pearl: guitar, keyboards, vocals


  • Stevie Nistor: drums




  • TINY DESK TEAM

  • Producer: Bob Boilen


  • Director/Editor: Joshua Bryant


  • Audio Engineer: Josh Rogosin


  • Creative Director: Bob Boilen


  • Series Producer: Bobby Carter


  • Videographers: Joshua Bryant, Maia Stern, Sofia Seidel, Alanté Serene


  • Audio Assistant: Kwesi Lee 


  • Production Assistant: Ashley Pointer


  • Photographer: Keren Carrión


  • Tiny Desk Team: Suraya Mohamed, Kara Frame, Hazel Cills


  • VP, Visuals and Music: Keith Jenkins


  • Senior VP, Programming: Anya Grundmann


  • Copyright 2023 NPR. To see more, visit https://www.npr.org. utm



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    In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

    Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

    Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

    In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

    After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

    Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

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