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Spanish Flamenco thrives in New Mexico, with its own unique flavor

JUANA SUMMERS, HOST:

Flamenco is a music and dance form strongly associated with Spain, but here in the United States it’s also linked with one state in particular – New Mexico. And as John Burnett reports, the epicenter of flamenco in New Mexico is Albuquerque.

(SOUNDBITE OF TINO VAN DER SMAN’S “LA MANO DEL LABRIEGO (BULERIAS)”)

JOHN BURNETT, BYLINE: Later this month, Albuquerque is hosting a world-famous flamenco festival. The University of New Mexico offers the only dance degrees with an emphasis in flamenco, and the National Institute of Flamenco is home to a conservatory and a world-class repertory dance company.

UNIDENTIFIED INSTRUCTOR: Uno, dos, tres, you heel. Da-da, da-da-da, da-da-da, da-da-da, da-da.

(SOUNDBITE OF CLAPPING)

UNIDENTIFIED INSTRUCTOR: Da-da, da-da-da, da-da-da, da-da-da, da-da.

(SOUNDBITE OF CLAPPING)

BURNETT: An instructor is showing a studio full of kids the classic percussive footwork. The popularity of flamenco has exploded in the last four decades. You can find it from Tokyo to Israel to Toronto, throughout Latin America, in Miami, New York and San Francisco. What’s different about flamenco in Nuevo Mexico is that it’s homegrown, which makes sense. New Mexico traces its Hispanic identity to the arrival of Spanish settlers 400-plus years ago.

VICENTE GRIEGO: There’s other people who want to do and replicate flamenco exactly the way it’s been done in Spain. Here in New Mexico, it’s got to sound like us.

BURNETT: Vicente Griego is a celebrated flamenco singer from northern New Mexico.

GRIEGO: But what makes us really special here and what keeps us honest is that we have our own history. We’ve had our own celebration and liberation.

(SOUNDBITE OF ARCHIVED RECORDING)

GRIEGO: (Singing in Spanish).

BURNETT: That’s Griego singing the deep song of flamenco with Yjastros: The American Flamenco Repertory Company. It’s part of the National Institute of Flamenco, founded 43 years ago by Eva Encinias, the grande dame of flamenco in Albuquerque.

EVA ENCINIAS: Even though we present all of this very, very high-end flamenco, the rationale behind that is to inspire and cultivate young people.

BURNETT: Outreach is a huge part of their mission. Between Eva and her children, Joaquin and Marisol, they’ve taught thousands of flamenco students at the institute and at UNM.

ENCINIAS: We all started as children, and we know the impact that flamenco had on us as young people.

BURNETT: To that end, the institute sends teachers into New Mexico public schools.

SARAH WARD: And so we’re going to clap along to the music. The music is in 4/4 time, which means that we count one, two, three, four. One, two, three, four.

BURNETT: Sarah Ward, a Canadian who became enthralled with flamenco and now teaches it, is leading a class of fourth graders at the Taos Integrated School of the Arts. Fifteen kids stomp their sneakers to the count.

(SOUNDBITE OF STOMPING)

WARD: And then we had another rhythm. Two and three, four. Two and three, four. Yeah.

BURNETT: Ward says New Mexico is the best place to learn flamenco outside of Spain.

WARD: It has such a rich cultural heritage here. We have grown it in the earth here, as well, and so it’s very much part of the New Mexican experience.

BURNETT: One of the bright-eyed students is Cypress Musialowski, 10 years old. The interviewer is journalist Monica Ortiz Uribe.

CYPRESS MUSIALOWSKI: I feel an opportunity to let out anger. I really like stomping my feet, but I also feel like I can just flow and be me.

MONICA ORTIZ URIBE: Yeah. What does it feel like when you’re dancing and you release that anger?

CYPRESS: It feels great. I love it ’cause in class, I can’t just stomp my feet around ’cause I’ll get in trouble.

(SOUNDBITE OF CLAPPING)

BURNETT: Flamenco has been called performed aggression – the pounding wooden heels, the feral singing, the baroque guitar work. The Spanish poet Federico Garcia Lorca defined duende, the spirit of flamenco, as tragedy-inspired ecstasy.

EVELYN MENDOZA: I think what really distinguishes flamenco is the grittiness of it.

BURNETT: Evelyn Mendoza is the 27-year-old education manager at the flamenco institute. While she has a degree in contemporary dance from UNM, it was flamenco that captured her soul.

MENDOZA: I mean, you sweat your heart, soul, tears, blood and everything into any dance form that you do. But flamenco is so different because it’s fierce.

UNIDENTIFIED PERSON: (Vocalizing).

BURNETT: The fierceness, poetry and passion of flamenco will be celebrated at Festival Flamenco Albuquerque, June 20 to 28. This year, 14 of the world’s best flamenco companies will perform in Albuquerque at what’s called the most celebrated flamenco festival outside of Spain. Naturally, it’s in New Mexico.

For NPR News, I’m John Burnett in Albuquerque.

UNIDENTIFIED PERSON: (Vocalizing). Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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John Burnett is a national correspondent based in Austin, Texas, who has been assigned a new beat for 2022—Polarized America—to explore all facets of our politically and culturally divided nation. Prior to this assignment, Burnett covered immigration, Southwest border affairs, Texas news and other national assignments. In 2018, 2019 and again in 2020, he won national Edward R. Murrow Awards from the Radio-Television News Directors Association for continuing coverage of the immigration beat. In 2020, Burnett along with other NPR journalists, were finalists for a duPont-Columbia Award for their coverage of the Trump Administration's Remain in Mexico program. In December 2018, Burnett was invited to participate in a workshop on Refugees, Immigration and Border Security in Western Europe, sponsored by the RIAS Berlin Commission.

Though he is assigned to the National Desk, his beat has sometimes stretched around the world.

He has filed stories from more than 30 countries since joining NPR in 1986. In 2012, he spent five months in Nairobi as the East Africa Correspondent, followed by a stint during 2013 as the network's religion reporter. His special reporting projects have included working in New Orleans during and after Hurricane Katrina, as an embedded reporter with the First Marine Division during the 2003 invasion of Iraq, and continuing coverage of the U.S. drug war in the Americas. His reports are heard regularly on NPR's award-winning newsmagazines Morning Edition, All Things Considered, and Weekend Edition.

Burnett's 2008 groundbreaking four-part series "Dirty Money"—which examined how law enforcement agencies have gotten hooked on and, in some cases, corrupted by seized drug money—won three national awards: a Scripps Howard National Journalism Award for Investigative Reporting, a Sigma Delta Chi Society of Professional Journalists Award for Investigative Reporting, and an Edward R. Murrow Award for the accompanying website. His 2007 three-part series "The Forgotten War," which took a critical look at the nation's 30-year war on drugs, won a Nancy Dickerson Whitehead Award for Excellence in Reporting on Drug and Alcohol Problems.

In 2006, Burnett's memoir, Uncivilized Beasts & Shameless Hellions: Travels with an NPR Correspondent, was published by Rodale Press. In that year, he also served as an Ethics Fellow at the Poynter Institute for Media Studies in St. Petersburg, Florida.

In 2004, Burnett won a national Edward R. Murrow Award for investigative reporting for his story on the accidental U.S. bombing of an Iraqi village. His work was singled out by judges for the Alfred I. duPont-Columbia University Award honoring the network's overall coverage of the Iraq War. Also in 2003, Burnett won a first place National Headliner Award for investigative reporting about corruption among federal immigration agents on the U.S.-Mexico border.

In the months following the attacks of September 11, Burnett reported from New York City, Pakistan, and Afghanistan. His reporting contributed to coverage that won the Overseas Press Club Award and an Alfred I. duPont Columbia University Award.

In 2001, Burnett reported and produced a one-hour documentary, "The Oil Century," for KUT-FM in Austin, which won a silver prize at the New York Festivals. He was a visiting faculty member in broadcast journalism at the Poynter Institute for Media Studies in 2002 and 1997. He received a Ford Foundation Grant in 1997 for a special series on sustainable development in Latin America.

Burnett's favorite stories are those that reveal a hidden reality. He recalls happening upon Carlos Garcia, a Mexico City street musician who plays a musical leaf, a chance encounter that brought a rare and beautiful art form to a national audience. In reporting his series "Fraud Down on the Farm," Burnett spent nine months investigating the abuse of the United States crop insurance system and shining light on surprising stories of criminality.

Abroad, his report on the accidental U.S. Air Force bombing of the Iraqi village of Al-Taniya, an event that claimed 31 lives, helped listeners understand the fog of war. His "Cocaine Republics" series in 2004 was one of the first accounts to detail the emergence of Central America as a major drug smuggling region. But many listeners remember the audio postcard he filed while on assignment in Peshawar, Pakistan, after 9/11 about what it was like being, at six-foot-seven, the "tallest American at a Death-to-Americarally."

Prior to coming to NPR, Burnett was based in Guatemala City for United Press International covering the Central America civil wars. From 1979-1983, he was a general assignment reporter for various Texas newspapers.

Burnett graduated from the University of Texas at Austin with a bachelor's degree in journalism.

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