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Lewis Capaldi on healing, humor and his new EP

Lewis Capaldi performs at the Glastonbury Festival at Worthy Farm in Somerset, England, on June 27, 2025.
Scott A Garfitt / Invision / AP
Lewis Capaldi performs at the Glastonbury Festival at Worthy Farm in Somerset, England, on June 27, 2025.

Updated November 19, 2025 at 16:42 PM ET

It was a sweltering June afternoon at Glastonbury Festival in 2023 when Lewis Capaldi realized he needed to radically change how he was living his life.

Standing before a massive crowd and singing the song that made him a global star, “Someone You Loved,” the Scottish singer-songwriter’s voice cracked. His shoulder twitched — a symptom of his Tourette syndrome — and he couldn’t finish the chorus. The crowd took over, singing the hit back to him as he stepped away from the mic.

Capaldi calls it a “meltdown.” But now, he says, it became the moment that ultimately saved him.

“I look at it now and I’m, like, that needed to happen,” Capaldi told NPR’s Morning Edition. “I’d really sort of worked myself into the ground making a second album. The success of the first album had really put the fear of God into me.”

The pressure from fear of being a one-hit wonder to a grueling work schedule to his Tourette diagnosis pushed him into a spiral he didn’t fully recognize until that moment. Without that Glastonbury incident, he says, he might have kept going “until the wheels came off.”

Capaldi disappeared from the spotlight for nearly two years. Now he’s back, cautiously — and with new music. His new EP, Survive, is just four tracks long, a deliberate choice to avoid the perfectionism and pressure of his second album.

One track, “The Day That I Die,” is his favorite, and also the hardest to talk about. Capaldi says he wrote it after struggling to taper off a high dose of sertraline (the generic version of Zoloft), prescribed for anxiety and depression.

“I never really had end-of-life thoughts before,” he said. “But coming off sertraline, I found I was having really, really dark days. And much later, thinking about that time when I was writing, I just thought ‘what would you say to someone’ — I guess, a suicide note — what would I say to people if heaven forbid I succumbed to all dark moments that I was having?”

Capaldi said he still finds that song difficult to discuss, noting that “everything’s good now.” But he pointed to the title track, “Survive,” as a better reflection of how he feels today, with lyrics like “I swear to God I’ll survive” and “I’m gonna get up and try if it’s the last thing I do.”

“I didn’t want to come back and be like, ‘Here’s a song called The Day That I Die,'” he said. “So I wanted to, like, really have a positive flag in the sand, sort of like, we’re back, and this is how I’m feeling, and this is how everything is.”

Now, Capaldi is looking forward to whatever comes next. He hopes he’ll be able to show more of his funny side that was clearly evident between tracks during his Tiny Desk performance.

“I would like to sort of incorporate that a little bit more and be a bit more adventurous when it comes to songwriting,” he said.

As he prepares for a U.S. tour in 2026, Capaldi is thinking about how he can finally move beyond being known as “the ballad guy.”

If you or someone you know may be considering suicide or is in crisis, call or text 988 to reach the Suicide & Crisis Lifeline.

The digital version of this interview was edited by Majd Al-Waheidi, and the radio version was edited by Phil Harrell.

Copyright 2025 NPR

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Leila Fadel is a host of Morning Edition, as well as NPR's morning news podcast Up First.

As a national correspondent, Fadel consistently reported on the fault lines of this divided nation. She flew to Minneapolis in the midst of the pandemic as the city erupted in grief and anger over the killing of George Floyd. She's reported on policing and race, on American Muslim communities and on the jarring inequities the coronavirus laid bare in the healthcare system. Her "Muslims in America: A New Generation" series, in collaboration with National Geographic, won the prestigious Goldziher Prize in 2019.

Previously, she was NPR's international correspondent based in Cairo and covered the wave of revolts in the Middle East and their aftermaths in Libya, Tunisia, Egypt, and beyond. Her stories brought listeners to the heart of a state-ordered massacre of pro-Muslim Brotherhood protesters in Cairo in 2013 when police shot into crowds of people to clear them and killed between 1,000 and 2,000 people. She told the tales of a coup in Egypt and what it is like for a country to go through a military overthrow of an elected government. She covered the fall of Mosul to ISIS in 2014 and documented the harrowing tales of the Yazidi women who were kidnapped and enslaved by the group. Her coverage also included stories of human smugglers in Egypt and the Syrian families desperate and willing to pay to risk their lives and cross a turbulent ocean for Europe.

She was awarded the Lowell Thomas Award from the Overseas Press Club for her coverage of the 2013 coup in Egypt and the toll it took on the country and Egyptian families. In 2017 she earned a Gracie award for the story of a single mother in Tunisia whose two eldest daughters were brainwashed and joined ISIS. The mother was fighting to make sure it didn't happen to her younger girls.

Before joining NPR, Fadel covered the Middle East for The Washington Post as the Cairo Bureau Chief. Prior to her position as Cairo Bureau Chief for the Post, she covered the Iraq war for nearly five years with Knight Ridder, McClatchy Newspapers, and later the Washington Post. Her foreign coverage of the devastating human toll of the Iraq war earned her the George. R. Polk award in 2007. In 2016 she was the Council on Foreign Relations Edward R. Murrow fellow.

Fadel is a Lebanese-American journalist who speaks conversational Arabic and was raised in Saudi Arabia and Lebanon.

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