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These dancers have found the perfect rehearsal space: a train station

JUANA SUMMERS, HOST:

Most evenings, passengers getting off trains at Penn Station in New York are greeted by the sight of teams of dancers rehearsing in one of the wide passageways above the tracks. Reporter Jeff Lunden noticed this unofficial dance studio on a recent trip and returned with his microphone to find out what it’s all about.

UNIDENTIFIED ANNOUNCER: This is the last call for the 5:15 train to Great Neck.

JEFF LUNDEN, BYLINE: Stretching from Track 5 to Track 21, it’s officially called the West End Concourse. But one frequent Amtrak passenger has another name for it.

OLIVIA FRANCIS: My girlfriend and I would meet here, and we call it TikTok Hall.

(SOUNDBITE OF MUSIC)

LUNDEN: Olivia Francis had just arrived from Boston and was taking a video of the dancers on her phone.

FRANCIS: People have been doing this for years. They come and dance in their reflections, and it’s really fun to watch. I’ve never done it myself, but it feels like part of New York to me.

LUNDEN: The passageway is wide, well-lit and features big, tilted windows looking down to the tracks below, which can serve as kind of a mirror for the groups of dancers. It also has access to restrooms and food vendors. Dream Griffin was working on some moves while she waited for the rest of her team to arrive.

DREAM GRIFFIN: We’re doing, like, a K-pop dance cover. A lot of people here do, like, K-pop dance covers.

UNIDENTIFIED ANNOUNCER: This is the last call for the 7:15 train to Huntington.

GRIFFIN: We’re rehearsing for our dance cover of Illit “Not Cute Anymore.” It’s one of their more recent songs.

(SOUNDBITE OF SONG, “NOT CUTE ANYMORE”)

ILLIT: (Singing) I’m not cute anymore.

LUNDEN: Griffin’s been coming to the concourse since she was a college student. She now works for New York City. Griffin says the people who meet in the corridor have formed a community – not just K-pop dancers, but salsa dancers, breakdancers.

GRIFFIN: The thing about it is that everybody chooses to learn these dances. Everybody chooses to be here. So everybody puts in the effort, you know – work hard, play hard. That’s definitely the vibe here.

ANNA WONG: It’s just for fun, and we’re not getting money. All of this – it’s like, we’re trying to save costs (laughter).

LUNDEN: Anna Wong was practicing a cover of a K-pop song called “Bang Bang.” She says renting practice space can cost anywhere from $20 to $100 an hour in the city. TikTok Hall is free.

WONG: Once we finish, and we will go to, like, Times Square to film. Here’s just rehearsing.

(SOUNDBITE OF SONG, “BANG BANG”)

IVE: (Singing) Bang bang. Bang bang.

LUNDEN: A lot of the dancers called the passageway a third space. It’s not practicing in a rehearsal studio or outdoors on the street. A spokesperson for the Metropolitan Transportation Authority, which owns the corridor, says the dancers are very good about not getting in the way of commuters and cooperate with station personnel. Of course, in a traditional studio, there’s a sprung wood floor designed to protect dancers from strain. TikTok Hall has a hard surface. Still, Dream Griffin says…

GRIFFIN: You know what? This is a better practicing floor than if we have to do it at Times Square. It’s really smooth and it allows for us to kind of glide a little bit. But at the end of the day, this is – it’s pretty decent. That’s why so many people are practicing here.

UNIDENTIFIED ANNOUNCER: Onboard Track 21.

LUNDEN: From Penn Station, for NPR News, I’m Jeff Lunden in New York.

(SOUNDBITE OF ILLIT SONG, “NOT CUTE ANYMORE”) Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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