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Ode to motherhood

ELISSA NADWORNY, HOST:

Because tomorrow is Mother’s Day, we bring to you today a consideration of motherhood by a poet who’s brought up two sons. The story comes from NPR’s Neda Ulaby.

NEDA ULABY, BYLINE: When poet Aimee Nezhukumatathil learned that she was going to have a baby boy 18 years ago, she prepared like it was homework.

AIMEE NEZHUKUMATATHIL: And I am a Type A Capricorn, so I was reading, I was studying as if I was going to be taking the biggest exam of my life.

ULABY: But she was not even a little ready, she says, for the milestones, like the first time she heard her son reading out loud to himself.

NEZHUKUMATATHIL: Oh, I get teary-eyed just thinking about that. It’s the most magical – when you can see how 26 letters – suddenly, a world opens up for him.

ULABY: Then came son No.2. When it was time for her eldest son to go to college, she started writing this poem.

(SOUNDBITE OF MUSIC)

NEZHUKUMATATHIL: (Reading) What they didn’t tell me about motherhood. Sometimes when they were young, I felt like I was underwater and couldn’t make out sounds or reason or rhyme, only coral clicks and distant whale songs, a shiver of eel near my ankle. But trust me, one day, you’ll surface. They start walking, then running, and then they sit behind a wheel. Then you sit behind a wheel driving away from their dorm. They grow smaller and smaller until they’re as big as a guppy, and soon, this bubbly sea is not at all where you want to swim. Even though it’s what you’d always wanted for them, that they’d grow strong fins, iridescent, fully unfurled in the morning sun and curious eyes, big, bright and shiny. But the only waves you know now mean goodbye.

ULABY: As poet Aimee Nezhukumatathil drove away and her oldest turn towards his freshman year, she was racked by the grief of leaving him and the familiar feeling she had not prepared.

NEZHUKUMATATHIL: I’m tearing up. It felt like I was being pushed, then pulled, pushed, then pulled. Like, suddenly, as I was driving away, thinking, did I teach you how to make a pie crust?

ULABY: Ridiculous, she says, but another example of feeling unprepared in spite of everything.

NEZHUKUMATATHIL: I think nothing prepares you how much love can still live inside a goodbye.

ULABY: Aimee Nezhukumatathil lives in Oxford, Mississippi. Her younger son is still in high school. Her oldest just wrapped up his second year at Tulane University. Her new collection of poetry is called “Night Owl.”

Neda Ulaby, NPR News. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's stories reflect political and economic realities, cultural issues, obsessions and transitions.

A twenty-year veteran of NPR, Ulaby started as a temporary production assistant on the cultural desk, opening mail, booking interviews and cutting tape with razor blades. Over the years, she's also worked as a producer and editor and won a Gracie award from the Alliance for Women in Media Foundation for hosting a podcast of NPR's best arts stories.

Ulaby also hosted the Emmy-award winning public television series Arab American Stories in 2012 and earned a 2019 Knight-Wallace Fellowship at the University of Michigan. She's also been chosen for fellowships at the Getty Arts Journalism Program at USC Annenberg and the Knight Center for Specialized Journalism.

Before coming to NPR, Ulaby worked as managing editor of Chicago's Windy City Times and co-hosted a local radio program, What's Coming Out at the Movies. A former doctoral student in English literature, Ulaby has contributed to academic journals and taught classes in the humanities at the University of Chicago, Northeastern Illinois University and at high schools serving at-risk students.

Ulaby worked as an intern for the features desk of the Topeka Capital-Journal after graduating from Bryn Mawr College. But her first appearance in print was when she was only four days old. She was pictured on the front page of the New York Times, as a refugee, when she and her parents were evacuated from Amman, Jordan, during the conflict known as Black September.

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