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Mama’s Broke: Tiny Desk Concert

A couple of chairs, a small room and a cozy crowd describes the last eight years of tour stops for Mama’s Broke. Having performed in intimate venues including homes and cabins, as well as stages, being at the Tiny Desk may have felt right at home for the Canadian duo. Lisa Maria Bates and Amy Lou Keeler make powerful songs with haunting harmonies and a mesh of fiddle, banjo, mandolin and guitar. You’ll hear unique rhythms as Amy takes her chopsticks to Lisa’s fiddle and Lisa takes her heels to the floorboard.

Elements of Appalachian folk, Celtic ballads, Nova Scotian traditions and Ukrainian folk from Lisa’s grandfather’s collection are woven into the duo’s music. The frantic pace of touring came to a halt for Amy and Lisa when the COVID pandemic started, like it did for much of the world, and they had some time to write tunes and try out new tunings. The opening song, written in Lisa’s uninsulated Nova Scotia cabin in the throes of the first pandemic winter, is filled with poignant resignation:

Just pick one, it’ll hurt some if it needs to 

I know weakness is a sickness and a virtue

And cold bitter winds are never-ending

So just pick one, it’s a season, it’ll run through.



The songs come from Mama’s Broke’s new album, Narrow Line, and its 2017 debut, Count The Wicked. There are moments of hope in this set of somewhat dark songs: “What Can May Come” is one of those moments, and also, in the final tune “The Ones That I Love,” where Amy and Lisa put down their instruments and send love through those perfect harmonies.

SET LIST

  • “Just Pick One”


  • “Wrecking Need”


  • “What Can May Come”


  • “Even Though”


  • “The Ones That I Love”




  • MUSICIANS

  • Lisa Maria Bates: vocals, fiddle, foot board, mandolin


  • Amy Lou Keeler: vocals, guitar, banjo, fiddlesticks




  • TINY DESK TEAM

  • Producer: Bob Boilen


  • Director/Editor: Maia Stern


  • Audio Engineer: Alex Drewenskus


  • Audio Mix: Josh Rogosin


  • Series Producer: Bobby Carter


  • Videographers: Joshua Bryant, Maia Stern, Sofia Seidel


  • Audio Assistant: Josephine Nyouani


  • Production Assistant: Jill Britton


  • Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Kara Frame, Ashley Pointer, Pilar Galvan


  • VP, Visuals and Music: Keith Jenkins


  • Senior VP, Programming: Anya Grundmann


  • Copyright 2023 NPR. To see more, visit https://www.npr.org. utm



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    In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

    Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

    Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

    In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

    After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

    Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

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