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From the Top: Tiny Desk Concert

Something rather astonishing occurs when kids take over the Tiny Desk. Our very future of music-making is on display.

Over the years, we have invited some of the brightest young musicians in the country to play the Desk. They are alums of the organization From the Top, which over the past 25 years has provided a platform of radio broadcasts, online performances and fellowships to support young, enthusiastic players.

At only 17 years old, the Eugene, Ore., native Maria Telesheva is already an accordion wizard. I have trouble simply pushing the right button in an elevator. So watching Telesheva’s fingers fly gracefully over more than 200 buttons on her bayan, as the instrument is called in Russia, is a thrill. She makes the tightly braided voices in J.S. Bach’s thicket of counterpoint sing and dance.

Nine-year-old Alexander Zhou is a mega-watt entertainer with a winning smile and technique far beyond his age. Based in New York, where he attends a special music school, he’s already won a half-dozen international competitions. I’m uncertain, with his small hands, just how he gets to the deluge of notes in the Moszkowski show-stopper. He’ll have to learn completely new fingerings as he grows. He describes the music as having “light, crispy notes and also a brilliant, very mysterious vibe.”

The confident, 18-year-old Henry Drangel from Queens is a freshman at the Curtis Institute. To hear the sweet, pinging sound of a newly minted tenor voice is especially satisfying in an age when opera geeks are concerned about the state of vocal education. Drangel’s breath control, his sense of the singing Italian line and the sunshine in his voice should take him far. His adroit accompanist, Adam Jackson, is studying for his master’s degree at Juilliard.

If these three artists gathered here represent the future of classical music, then that future is shining brightly indeed.

SET LIST

  • Johann Sebastian Bach: J.S. Bach: Prelude and Fugue No. 2 in C minor (Well-Tempered Clavier, Book 1)
  • Moritz Moszkowski: Étincelles, Op. 36, No. 6 (“Sparks”)
  • Gaetano Donizetti: “Quanto è bella” (from L’elisir d’amore)


MUSICIANS

  • Maria Telesheva: accordion
  • Alexander Zhou: piano
  • Henry Drangel: vocals
  • Adam Jackson: piano 


TINY DESK TEAM

  • Producer: Tom Huizenga
  • Director/Editor: Kara Frame
  • Audio Technical Director: Neil Tevault
  • Host/Series Producer: Bobby Carter
  • Videographers: Kara Frame, Joshua Bryant
  • Audio Engineer: Josh Newell
  • Production Assistant: Dhanika Pineda
  • Photographer: Sofia Seidel
  • Tiny Desk Team: Maia Stern, Ashley Pointer
  • Series Editor: Lars Gotrich
  • Executive Producer: Suraya Mohamed
  • Executive Director: Sonali Mehta
  • Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton

Copyright 2026 NPR



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Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.

Joining NPR in 1999, Huizenga produced, wrote and edited NPR's Peabody Award-winning daily classical music show Performance Today and the programs SymphonyCast and World of Opera.

He's produced live radio broadcasts from the Kennedy Center and other venues, including New York's (Le) Poisson Rouge, where he created NPR's first classical music webcast featuring the Emerson String Quartet.

As a video producer, Huizenga has created some of NPR Music's noteworthy music documentaries in New York. He brought mezzo-soprano Joyce DiDonato to the historic Stonewall Inn in Greenwich Village, placed tenor Lawrence Brownlee and pianist Jason Moran inside an active crypt at a historic church in Harlem, and invited composer Philip Glass to a Chinatown loft to discuss music with Devonté Hynes (aka Blood Orange).

He has also written and produced radio specials, such as A Choral Christmas With Stile Antico, broadcast on stations around the country.

Prior to NPR, Huizenga served as music director for NPR member station KRWG, in Las Cruces, New Mexico, and taught in the journalism department at New Mexico State University.

Born in Grand Rapids, Michigan, Huizenga's radio career began at the University of Michigan, where he produced and hosted a broad range of radio programs at Ann Arbor's WCBN-FM. He holds a B.A. from the University of Michigan in English literature and ethnomusicology.

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