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Long before smartphones, this retro phone turned heads

A MARTÍNEZ, HOST:

Now, to the latest entry in our series America in Pursuit to celebrate 250 years of culture, history and objects in American life. NPR’s Anastasia Tsioulcas takes us back to a home telephone with character.

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ANASTASIA TSIOULCAS, BYLINE: The Sculptura is not just any phone. It’s a whole personality.

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UNIDENTIFIED NARRATOR: Contemporary and novel describe Sculptura – probably the most eye-catching telephone you’ll ever see.

TSIOULCAS: It’s a gorgeously curved thing, two crescent moons coming to meet in the middle. And it is bright yellow, the kind of yellow you’d see in the Sunday comics or in a Roy Lichtenstein painting. And now it’s on display at the Cooper Hewitt, the Smithsonian Museum of Design in New York.

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UNIDENTIFIED NARRATOR: It’s a functional, convenient telephone that marks you as a decorator who is sensitive to every aspect of your home’s decor.

TSIOULCAS: That’s from a 1979 promotional film for the Sculptura and other home telephones. The Sculptura demands your attention, says Cooper Hewitt curator Emily Orr.

EMILY ORR: So rather than the phone standing out as this technical object in an interior, a phone like the Sculptura telephone could blend in with an interior design.

TSIOULCAS: But there were larger market forces at work. Back then, a majority of households rented their home phones instead of buying them, Orr says.

ORR: This was a standard-issue black telephone that was rented most often from the Bell Labs division of AT&T.

TSIOULCAS: AT&T had another subsidiary called Western Electric, which made telephones. The Sculptura was part of a campaign to get Americans to buy their phones. There were other models, too.

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UNIDENTIFIED NARRATOR: All you have to do is pick the one that’s just right for your personality or your room’s decor.

TSIOULCAS: One that looked like a colonial candlestick for your patriotic living room, perhaps.

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UNIDENTIFIED NARRATOR: It’s the Early American.

TSIOULCAS: Or if you’re looking for a little whimsy…

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UNIDENTIFIED NARRATOR: Good grief. It’s Snoopy and Woodstock.

TSIOULCAS: But unlike many of its peers, the Sculptura still reads as stylish. That yellow, as bright and appealing as a piece of candy, is always going to turn heads in a home or at a museum.

Anastasia Tsioulcas, NPR News, New York.

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TOMMY TUTONE: (Singing) Eight, six, seven. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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Anastasia Tsioulcas is a correspondent on NPR's Culture desk. She is intensely interested in the arts at the intersection of culture, politics, economics and identity, and primarily reports on music. Recently, she has extensively covered gender issues and #MeToo in the music industry, including the trial and conviction of former R&B superstar R. Kelly; backstage tumult and alleged secret deals in the wake of sexual misconduct allegations against megastar singer Plácido Domingo; and gender inequity issues at the Grammy Awards.

On happier days, Tsioulcas has celebrated the life of the late Aretha Franklin, traveled to Havana to profile musicians and dancers, revealed the hidden artistry of an Indian virtuoso who spent 60 years in her apartment and brought listeners into the creative process of composers Steve Reich and Terry Riley.

Tsioulcas was formerly a reporter and producer for NPR Music, where she covered breaking news in the music industry as well as a wide range of musical genres and artists. She has also produced episodes for NPR Music's much-lauded Tiny Desk concert series and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians to debut a new work together. As a video producer, she created high-profile video shorts for NPR Music, including performances by cellist Yo-Yo Ma in a Brooklyn theatrical props warehouse and pianist Yuja Wang in an icy-cold Steinway & Sons piano factory.

Tsioulcas has also reported from north and west Africa, south Asia, and across Europe for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston and based in New York, Tsioulcas is a lapsed classical violinist and violist (shoutout to all the overlooked violists!). She graduated from Barnard College, Columbia University with a B.A. in comparative religion.

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