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The real cost of the war with Iran

DEBBIE ELLIOTT, HOST:

This week, Pentagon Chief Pete Hegseth updated the cost of war with Iran at a tense congressional hearing. So far, he says, it’s close to $40 billion.

(SOUNDBITE OF ARCHIVED RECORDING)

PETE HEGSETH: This is a regime hell-bent on nuclear ambitions, and…

JOHN KENNEDY: Guys, we need straight answers.

HEGSETH: President Trump’s been willing to go after this.

KENNEDY: We need straight answers.

ELLIOTT: Hegseth is trying to get more money to pay for the continuing hostilities, which have taken the lives of at least 18 U.S. service members and thousands of civilians in Lebanon, Israel and Iran so far. But how accurate are Hegseth’s numbers? And what exactly is driving the cost up? To answer some of these questions, we’ve called up Linda Bilmes. She’s a professor at the Harvard Kennedy School and an expert on budgeting and public finance. Hi there. Welcome to the program.

LINDA BILMES: Thank you very much.

ELLIOTT: So what do you make of that whopping $37 1/2 billion number from Hegseth?

BILMES: Well, when I think about the war costs, there are four categories. There’s the very up-front short-term operations, then the medium-term costs, the long-term costs and the economic costs. And the 37 billion that Secretary Hegseth cited is just the very tippy-tippy-tip of the cusp – iceberg. So Mr. Hegseth is basing this figure primarily on the historical cost of the ammunitions that have been used up. But in fact, the replacement cost is at least 50% higher.

For example, the Patriot interceptors that we have used up cost about 2 to 3 million each when we bought them, but the new ones, the replacements, cost 4 to 6 million. And the old Tomahawk missiles cost 1 million to 2 million, but the replacements cost 3 to 4 million.

ELLIOTT: So that’s kind of like, let’s say, you have to rebuild your house, and you don’t have enough insurance to rebuild it because you’ve insured your house for what you paid 10 years ago to build it, right?

BILMES: Yeah, that’s right. But in this case, it’s even more extreme because of the fact that we also pay a significant surcharge to defense manufacturers because we’re asking them to vastly expedite the new orders because we’ve used up our existing inventory at such a fast clip.

ELLIOTT: So what would you say a more accurate figure might be for the cost of this war?

BILMES: According to my analysis, the very up-front, short-term costs are, to date, about 120 billion. But that doesn’t include another 250 billion for rebuilding the hundreds of U.S. facilities across the Middle East that have been destroyed or damaged. And then there are long-term costs and economic costs, which are the sort of base of the iceberg, and they are much larger.

ELLIOTT: Such as, like, caring for veterans? Is that what you’re talking?

BILMES: I mean, one of the significant costs is caring for veterans, and here again, the administration has lowballed what we can expect in terms of cost. It has mentioned the several hundred troops who have been wounded in action, but it hasn’t mentioned the 15-, 16-, 17,000 troops who have been exposed to contaminants and toxins and will be receiving lifetime disability benefits for breathing difficulties.

It hasn’t mentioned the several hundred troops that have been exposed to fire and inhaled smoke and were treated on the USS Gerald Ford when it had a huge fire. I mean, there are a whole series of costs related to veterans over their lifetimes. And remember that these veterans have an average age of 28.

ELLIOTT: But wouldn’t the Pentagon be taking some of these factors into consideration as it presents its estimates to Congress?

BILMES: I mean, the Pentagon and, I think, countries throughout history tend not to think about the long-term costs. What is really the kicker here? I mean, countries throughout history tend to be optimistic. They think the war will be over faster than it is. They think it’s going to cost less than it is. And what’s very important to understand is that all of this money – the 37 billion that Hegseth is talking about, the 67 billion that has been requested, the 150 billion that was emergency money – all of this is being borrowed. And we also have to pay interest on the debt.

This whole approach of paying for wars entirely through debt is entirely new in U.S. history after 2001. In all previous U.S. wars – the War of 1812, the Civil War, World War I, World War II, the Spanish-American War, the Korean War, the Vietnam War – we raised taxes a lot to pay for wars. But since 2001, we have borrowed all the money. But now what’s different even than during Iraq and Afghanistan is that, as everyone who has borrowed any money knows, we are borrowing at much higher interest rates.

ELLIOTT: So I’m curious what you would say to American people who are in support of the war with Iran, those who might say, of course war is expensive, but it’s worth fighting because we’re trying to make the world a safer place or achieve an important foreign policy goal.

BILMES: Well, President Wilson when we went into World War I, President Roosevelt when we went into World War II, President Truman when we went into the Korean War, President Johnson in Vietnam – all of them went to the public and made speeches about the fact that we should not pass on the cost of the war to our children, that if this war was so important that we should be fighting it now, that we should pay for it now. And they raised taxes up to 92% top marginal rates, I mean, in order to ensure that we really felt the pain and so that the public felt and understood whether they felt it really was worth it.

ELLIOTT: That’s Linda Bilmes. She’s the author of the forthcoming book “The Ghost Budget: Paying For America’s Wars.” Thanks so much for speaking with us.

BILMES: Thank you, Debbie.

(SOUNDBITE OF MUSIC) Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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NPR National Correspondent Debbie Elliott can be heard telling stories from her native South. She covers the latest news and politics, and is attuned to the region's rich culture and history.

For more than two decades, Elliott has been one of NPR's top breaking news reporters. She's covered dozens of natural disasters – including hurricanes Andrew, Katrina and Harvey. She reported on the aftermath of the 2010 Haiti earthquake, introducing NPR listeners to teenage boys orphaned in the disaster, struggling to survive on their own.

Elliott spent months covering the nation's worst man-made environmental disaster, the 2010 BP oil spill in the Gulf of Mexico, documenting its lingering impact on Gulf coast communities and the complex legal battles that ensued. She launched the series "The Disappearing Coast," which examines the oil spill's lasting imprint on a fragile coastline.

She was honored with a 2018 Gracie Award from the Alliance for Women in Media Foundation for crisis coverage, in part for her work covering the deadly white supremacist rally in Charlottesville, Virginia, and the mass murder of worshippers at a church in Sutherland Springs, Texas. She was part of NPR's teams covering the mass shootings at Charleston's Emanuel AME Church and the Pulse Nightclub in Orlando.

Elliott has followed national debates over immigration, healthcare, abortion, tobacco, voting rights, welfare reform, same-sex marriage, Confederate monuments, criminal justice and policing in America. She examined the obesity epidemic in Mississippi, a shortage of public defenders in Louisiana, a rise in the incarceration of girls in Florida and chronic inhumane conditions at state prisons in Alabama and Mississippi.

A particular focus for Elliott has been exploring how Americans live through the prism of race, culture and history. Her coverage links lessons from the past to the movement for racial justice in America today.

She's looked at the legacy of landmark civil rights events, including the integration of Little Rock's Central High, the assassination of Mississippi NAACP leader Medgar Evers, the Montgomery bus boycott and the voting rights march in Selma, Alabama. She contributed a four-part series on the 1968 assassination of the Rev. Martin Luther King, Jr. in Memphis, Tennessee, which earned a 2019 Gracie Award for documentary.

She was present for the re-opening of civil rights era murder cases, covering trials in the 16th Street Church bombing in Birmingham, the murder of Hattiesburg, Miss., NAACP leader Vernon Dahmer and the killings of three civil rights workers in Neshoba County, Miss.

Elliott has profiled key figures in politics and the arts, including former Attorney General Jeff Sessions, historian John Hope Franklin, Congressman John Lewis, children's book author Eric Carle, musician Trombone Shorty and former Louisiana Governor Edwin Edwards. She covered the funerals of the Queen of Soul Aretha Franklin, and the King of the Blues BB King, and she took listeners along for the second line jazz procession in memory of Fats Domino in New Orleans.

Her stories give a taste of southern culture, from the Nashville hot chicken craze to the traditions of Mardi Gras to the roots of American music at Mississippi's new Grammy Museum. She's highlighted little-known treasures such as North Carolina artist Freeman Vines and his hanging tree guitars, the magical House of Dance and Feathers in New Orleans' Lower 9th ward, a remote Coon Dog Cemetery in north Alabama and the Cajun Christmas tradition of lighting bonfires on the levees of the Mississippi River.

Elliott is a former host of NPR's newsmagazine All Things Considered on the weekends, and is a former Capitol Hill Correspondent. She's an occasional guest host of NPR's news programs and is a contributor to podcasts and live programming.

Elliott was born in Atlanta, grew up in the Memphis area, and is a graduate of the University of Alabama. She lives in south Alabama with her husband, two children and a pet beagle.

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