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The Newest Magazine Fad: The Mug Shot Tabloid


A new kind of tabloid is popping up in convenience stores around the country. The papers are nothing more than a compendium of mug shots letting readers keep up with who’s been arrested every week.

With titles like Cellmates, Jailbirds, Just Busted, Jail House Rocs and The Slammer, it’s clear what you’ll find inside.

“Modern-day stockades or stocks, I guess is one way to look at it,” says Daniel Schroeder, publisher of The Slammer, which covers central Arkansas.

“The crazier the mug shot, or the meaner looking the people are, the more likely they are to end up on the cover,” he says.

A Sense Of Voyeurism

In the pre-dawn hours at a nondescript self-storage unit, Schroeder loads stacks of his tabloid into the car trunks of his drivers. They’ll fan out over Little Rock and the surrounding counties, taking papers to some 300 gas marts and convenience stores. Like the other papers that have been growing in popularity around the South, the paper follows a template — page after page of local mug shots, interspersed with a few short crime articles from around the country. The advertisements are mostly for cash advance outlets, bail bondsmen and defense attorneys.

Daniel Schroeder, publisher of The Slammer, admits it's a sense of voyeurism that sells the papers, but he says they also help law enforcement.
Daniel Schroeder, publisher of The Slammer, admits it’s a sense of voyeurism that sells the papers, but he says they also help law enforcement. Debbie Elliott / NPR

Schroeder explains how the mug shots are grouped under kitschy headlines.

“This is the wrinkly rascal section — people a little older that were arrested [whom] you wouldn’t expect to see in there,” he says. “They can be sweet-looking grandmas and grandpas sometimes. One of my favorites — and a lot of people like — is the hairdo’s and don’ts. People are not always at their best when they get arrested.”

At the Pulaski County jail, Deputy Charles Wilkes does intake. He snaps the photos of inmates that eventually end up in the tabloid.

“They know about The Slammer,” he says. “Sometimes they think its kind of funny like, ‘Hey, I’m posing for The Slammer,‘ and some people are like, you know, ‘I’m pretty upset cause I might lose my job.’ ”

It doesn’t serve any purpose. It’s just someone exploiting, making a buck off of other people’s miseries.

Schroeder admits it’s a sense of voyeurism that sells the papers, but he claims they also help law enforcement.

“Most people look at this because they’re curious and they want to gawk and gossip a little bit,” he says. “But there’s a good side to it to that provides people with an opportunity to see maybe somebody that they know has committed a crime, or somebody — might be a victim of a crime — is able to see the person that committed the crime if they haven’t been caught already.”

But Pulaski County Sheriff Doc Holladay says publishing pictures of people who have already been arrested doesn’t solve crimes.

“I’m not sure we’ve seen a great upside for us, other than people call us and complain about their picture being there,” he says.

Holladay says it just creates more work for his deputies. At first, he resisted providing the county’s mug shots to The Slammer, but he says he had no choice because of sunshine laws.

“People call and they want to know why we’re releasing that information and why their picture is in the magazine,” he says. “Well, that information is a public record, it’s releasable under the Freedom of Information Act. And so we provide that information.”

The paper runs a disclaimer: “Not every arrest leads to a conviction. All suspects are innocent until proven guilty in a court of law.”

That doesn’t make Mario Montemayor, 17, feel any better. He was charged as an adult for allegedly buying OxyContin from an undercover cop, with the intent to sell the pills.

“I felt embarrassed because everyone seen all my charges and everything,” Montemayor says. “Some things need to be private.”

He says all his friends pick up The Slammer at gas stations around town. It costs only a dollar.

Right Or Wrong, They’re Profitable

At a Raceway convenience store on a busy intersection in Little Rock, new copies of The Slammer sit out on the counter right by the cash register.

“[They’re] pretty popular — yeah, we pretty much sell out almost every week,” says Alfred Walker, the store manager. “When it first came out, a lot of people didn’t like The Slammer because they thought it was very negative. But now a lot of people just want to buy it just to see who’s in there.”

Customer Shawn Rycraw owns a car detail business in the neighborhood. He comes every Thursday when the new papers are stocked.

“I got a stack of ’em like this at the shop. Every week. I’m addicted to ’em,” he says.

This week, Rycraw is looking for a former employee.

“Let’s find him. His name is Willie. Oh, right here. His mug shot look ugly. Like, ‘Let me out,’ ” Rycraw says.

Not everyone is such a fan of The Slammer.

Russell Carpenter of Little Rock doesn’t think the store should sell the papers.

“I think it’s like exploiting criminality to me,” he says. “It doesn’t serve any purpose. It’s just someone exploiting, making a buck off of other people’s miseries.”

Right or wrong, the mug shot tabloids do appear to be profitable. Each week, Little Rock residents snap up some 7,000 copies of The Slammer.

Copyright 2023 NPR. To see more, visit https://www.npr.org. utm

NPR National Correspondent Debbie Elliott can be heard telling stories from her native South. She covers the latest news and politics, and is attuned to the region's rich culture and history.

For more than two decades, Elliott has been one of NPR's top breaking news reporters. She's covered dozens of natural disasters – including hurricanes Andrew, Katrina and Harvey. She reported on the aftermath of the 2010 Haiti earthquake, introducing NPR listeners to teenage boys orphaned in the disaster, struggling to survive on their own.

Elliott spent months covering the nation's worst man-made environmental disaster, the 2010 BP oil spill in the Gulf of Mexico, documenting its lingering impact on Gulf coast communities and the complex legal battles that ensued. She launched the series "The Disappearing Coast," which examines the oil spill's lasting imprint on a fragile coastline.

She was honored with a 2018 Gracie Award from the Alliance for Women in Media Foundation for crisis coverage, in part for her work covering the deadly white supremacist rally in Charlottesville, Virginia, and the mass murder of worshippers at a church in Sutherland Springs, Texas. She was part of NPR's teams covering the mass shootings at Charleston's Emanuel AME Church and the Pulse Nightclub in Orlando.

Elliott has followed national debates over immigration, healthcare, abortion, tobacco, voting rights, welfare reform, same-sex marriage, Confederate monuments, criminal justice and policing in America. She examined the obesity epidemic in Mississippi, a shortage of public defenders in Louisiana, a rise in the incarceration of girls in Florida and chronic inhumane conditions at state prisons in Alabama and Mississippi.

A particular focus for Elliott has been exploring how Americans live through the prism of race, culture and history. Her coverage links lessons from the past to the movement for racial justice in America today.

She's looked at the legacy of landmark civil rights events, including the integration of Little Rock's Central High, the assassination of Mississippi NAACP leader Medgar Evers, the Montgomery bus boycott and the voting rights march in Selma, Alabama. She contributed a four-part series on the 1968 assassination of the Rev. Martin Luther King, Jr. in Memphis, Tennessee, which earned a 2019 Gracie Award for documentary.

She was present for the re-opening of civil rights era murder cases, covering trials in the 16th Street Church bombing in Birmingham, the murder of Hattiesburg, Miss., NAACP leader Vernon Dahmer and the killings of three civil rights workers in Neshoba County, Miss.

Elliott has profiled key figures in politics and the arts, including former Attorney General Jeff Sessions, historian John Hope Franklin, Congressman John Lewis, children's book author Eric Carle, musician Trombone Shorty and former Louisiana Governor Edwin Edwards. She covered the funerals of the Queen of Soul Aretha Franklin, and the King of the Blues BB King, and she took listeners along for the second line jazz procession in memory of Fats Domino in New Orleans.

Her stories give a taste of southern culture, from the Nashville hot chicken craze to the traditions of Mardi Gras to the roots of American music at Mississippi's new Grammy Museum. She's highlighted little-known treasures such as North Carolina artist Freeman Vines and his hanging tree guitars, the magical House of Dance and Feathers in New Orleans' Lower 9th ward, a remote Coon Dog Cemetery in north Alabama and the Cajun Christmas tradition of lighting bonfires on the levees of the Mississippi River.

Elliott is a former host of NPR's newsmagazine All Things Considered on the weekends, and is a former Capitol Hill Correspondent. She's an occasional guest host of NPR's news programs and is a contributor to podcasts and live programming.

Elliott was born in Atlanta, grew up in the Memphis area, and is a graduate of the University of Alabama. She lives in south Alabama with her husband, two children and a pet beagle.

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