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Judge blocks plan to return Trump’s name to the Kennedy Center

A federal judge has ruled that the board of the Kennedy Center can’t put President Trump’s name back on the building, or rename the physical grounds of the arts center as the “President Donald J. Trump Plaza.”

In a 22-page decision, U.S. District Judge Christopher Cooper referred to an earlier ruling, as well Congress’ mandate regarding the living memorial to John F. Kennedy. “Simply put,” he wrote, “Defendants cannot install memorials for President Trump or anyone or anything else at the Kennedy Center without Congress’s blessing. The board resolution bucks a federal court order and a statute Congress enacted.”

Cooper’s ruling came as part of the ongoing federal lawsuit filed by Rep. Joyce Beatty, an Ohio Democrat and an ex officio member of the Kennedy Center board. She originally sued last December to stop the board from renaming the Washington, D.C., arts institution as “The Trump Kennedy Center.”

Most of the current Kennedy Center board members are Trump allies who were picked by the president, who now also serves as the arts institution’s chair.

The decision came minutes before the board was set to meet to decide whether or not to shut down the center immediately for major renovations. Beatty’s lawsuit does not address those renovation plans.

Administrators of the Kennedy Center told the board in recent days that the physical plant of the complex’s main building is unsafe, and that the center’s finances are “within weeks” of bankruptcy.

In his decision, Cooper left open for now the possibility of whether or not the board can name its planned $100 million fundraising campaign “The Trump Kennedy Center Fund,” or include any such plaque or other signage at the center eventually. In his decision, Cooper wrote: “The fund has raised nothing yet.”

The board has placed Trump at the locus of its efforts, arguing both publicly and in court that the president is the only person who can fundraise at such a massive scale or successfully oversee such an extensive renovation project – and, as such, deserved public credit in the form of signage on the front of the arts complex.

Ticket sales and attendance have plummeted – and many major artists canceled their appearances there – over the past year amid concerns the center, which first opened on Sept. 8, 1971, has been politicized under Trump.

In a statement emailed to NPR Tuesday afternoon, Rep. Beatty wrote: “The law is extremely clear: The John F. Kennedy Center is named for President Kennedy – and no one else. But President Trump is holding the Kennedy Center hostage unless he can put his name on this sacred memorial. The Court just rejected this proposal for the second time. This unlawfulness is as breathtaking as it is wrong, and it needs to stop.”

Anastasia Tsioulcas is a correspondent on NPR's Culture desk. She is intensely interested in the arts at the intersection of culture, politics, economics and identity, and primarily reports on music. Recently, she has extensively covered gender issues and #MeToo in the music industry, including the trial and conviction of former R&B superstar R. Kelly; backstage tumult and alleged secret deals in the wake of sexual misconduct allegations against megastar singer Plácido Domingo; and gender inequity issues at the Grammy Awards.

On happier days, Tsioulcas has celebrated the life of the late Aretha Franklin, traveled to Havana to profile musicians and dancers, revealed the hidden artistry of an Indian virtuoso who spent 60 years in her apartment and brought listeners into the creative process of composers Steve Reich and Terry Riley.

Tsioulcas was formerly a reporter and producer for NPR Music, where she covered breaking news in the music industry as well as a wide range of musical genres and artists. She has also produced episodes for NPR Music's much-lauded Tiny Desk concert series and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians to debut a new work together. As a video producer, she created high-profile video shorts for NPR Music, including performances by cellist Yo-Yo Ma in a Brooklyn theatrical props warehouse and pianist Yuja Wang in an icy-cold Steinway & Sons piano factory.

Tsioulcas has also reported from north and west Africa, south Asia, and across Europe for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston and based in New York, Tsioulcas is a lapsed classical violinist and violist (shoutout to all the overlooked violists!). She graduated from Barnard College, Columbia University with a B.A. in comparative religion.

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