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Unknown Mortal Orchestra’s Ruban Nielson on the family-inspired new album ‘V’

Unknown Mortal Orchestra takes on family and the free breeze of '80s oriented rock on new double album, "V."
Juan Ortiz-Arenas / Unknown Mortal Orchestra
Unknown Mortal Orchestra takes on family and the free breeze of '80s oriented rock on new double album, "V."

Unknown Mortal Orchestra’s sound is something of a mystery. While it’s bathed in a lo-fi aesthetic, it has managed to evolve and grow through genres such a psychedelic, punk and even disco through the band’s decade-plus making music. UMO is back now with its latest album, V, bathing this time in the pools of Palm Springs and oceans of Hawaii with a fully developed edge of ’70s and ’80s album-oriented rock.


The following interview has been condensed and edited. To listen to the audio version, click the link above.

Interview Highlights

On the origins of this album

I was interested in the really epic, pop rock songs from ’70s and ’80s bands like Toto and Journey. After a few years my family became much more important than the band, and I hadn’t been on the road for a long time, so I started to focus more on things that were happening in my family. Because there’s like a laundry list of tragedies that hit my family all at once. So I had to put music aside and stop thinking about it for a while.

I moved my mother back to Hawaii, back to the big island where she was born. I think it was quite a big deal for her to come back because she was a big deal in the hula world. It’s what she lives for, you know? I think the feelings and everything that we experienced in Hawaii kind of ended up being the thread that kind of like tied all of the songs together and made the record make sense. Another thing about [my] mom, [she has realized] that when she’s dancing, that’s her real self. Then, everything that happens when she’s not dancing is kind of like her waiting to dance again. I think that that we have that in common.

On the song “Layla”

The more I listen to it, the more I realize it’s some kind of tribute to my mom. I always used to wonder: Why would you leave Hawaii? I think she felt this feeling like she wanted to move. As I got older, I kind of realized that feeling of wanting to keep moving is part of me. I feel like we’re in a broken place. The whole society is kind of busted. The song is really just about an optimism, or the idea that whatever’s wrong, you can kind of move past it. I feel like that feeling of not understanding where to go, what to do, seems to dominate a lot of people’s lives and discourse. I feel like the first thing is the belief or the optimism that something’s possible, rather than kind of giving in to the idea that this is it, we’re stuck in this situation.


On the song “I Killed Captain Cook”

It’s my approach to Hawaiian music. I wanted to interpret it like the music that I grew up with. My mom used to listen to her brother’s music a lot and they used to have a traditional Hawaiian group that they toured in. And I learned about the hapa haole tradition, which is basically Hawaiian music sung in English. That’s also my, I suppose, racial identity would be hapa haole, which means half white.

I used to be in punk bands when I was a kid and I just kind of suddenly thought, “I killed Captain Cook” sounded like a really good name for a Hawaiian punk band to have made. And then when I was growing up in New Zealand, James Cook is a big figure in history — he’s kind of like the Christopher Columbus of the Pacific. But my mom always talked about it with this pride. She would always have like a sparkle in her eye when she would talk about it. I think my mom’s really proud of the fact that the Hawaiians were the people that killed him. And so in some ways, it’s like a tribute to my mom, because I suppose mom ended up kind of looming pretty large over this record.

On refocusing on family for this album

It just was unavoidable. It’s like family just became this looming thing. Like a lot of people over the pandemic, everybody just came out of that experience really transformed. Life starts again and you’re kind of like, okay, well, all these things that I’ve learned from this hardship or these horrors that I’ve experienced, you know, who am I now? Hopefully you come out a stronger and more useful person to the people that you love. That’s my ambition, is to be useful.

Copyright 2023 NPR. To see more, visit https://www.npr.org. utm

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Scott Simon is one of America's most admired writers and broadcasters. He is the host of Weekend Edition Saturday and is one of the hosts of NPR's morning news podcast Up First. He has reported from all fifty states, five continents, and ten wars, from El Salvador to Sarajevo to Afghanistan and Iraq. His books have chronicled character and characters, in war and peace, sports and art, tragedy and comedy.

Weekend Edition Saturday has been called by the Washington Post, "the most literate, witty, moving, and just plain interesting news show on any dial," and by Brett Martin of Time Out New York, "the most eclectic, intelligent two hours of broadcasting on the airwaves." Simon has won every major award in broadcasting, including the Peabody, the Emmy, the Columbia-DuPont, the Ohio State Award, the Robert F. Kennedy Journalism Award, and the Sidney Hillman Award. He received the Presidential End Hunger Award for his coverage of the Ethiopian civil war and famine, and a special citation from the Peabody Awards for his weekly essays, which were cited as "consistently thoughtful, graceful, and challenging." He has also received the Barry M. Goldwater Award from the Human Rights Fund. Recently, he was awarded the Studs Terkel Award.

Simon has hosted many television specials, including the PBS's "State of Mind," "Voices of Vision," and "Need to Know." "The Paterson Project" won a national Emmy, as did his two-hour special from the Rio Earth Summit meeting. He co-anchored PBS's "Millennium 2000" coverage in concert with the BBC, and has co-hosted the televised Columbia-DuPont Awards. He also became familiar to viewers in Great Britain as host of the continuing BBC series, "Eyewitness," and a special on the White House press corps. He has appeared as a guest and commentator on all major networks, including BBC, NBC, CNN, and ESPN.

Simon has contributed articles to The New York Times, The Los Angeles Times, The New York Times Book Review, The Wall Street Journal, The Sunday Times of London, The Guardian, and Gourmet among other publications, and won a James Beard Award for his story, "Conflict Cuisine" in Gourmet. He has received numerous honorary degrees.

Sports Illustrated called his book Home and Away: Memoir of a Fan "extraordinary...uniformly superb...a memoir of such breadth and reach that it compares favorably with Fredrick Exley's A Fan's Notes." It was at the top of several non-fiction bestseller lists. His book, and Jackie Robinson and the Integration of Baseball, was Barnes and Noble's Sports Book of the Year. His novel, Pretty Birds, the story of two teenage girls in Sarajevo during the siege, received rave reviews, with Scott Turow calling it, "the most auspicious fiction debut by a journalist of note since Tom Wolfe's. . . always gripping, always tender, and often painfully funny. It is a marvel of technical finesse, close observation, and a perfectly pitched heart." Windy City, Simon's second novel, is a political comedy set in the Chicago City Council. Baby, We Were Meant for Each Other, an essay about the joys of adoption, was published in August 2010.

Simon's tweets to his 1.25 million Twitter followers from his mother's bedside in the summer of 2013 gathered major media attention around the world. They inspired his New York Times bestseller book Unforgettable: A Son, a Mother, and the Lessons of a Lifetime. Laura Hillenbrand, the author of Unbroken and Seabiscuit, called the book "poignant, funny, intimate, and unforgettable." Scott Turow called it "a treasure. It is as poignant and tender and wise as Tuesdays with Morrie, with the added virtues of being unflinching and, quite often, very funny." Laurie Halse Anderson just called the book, "Amazing. Breathtaking. Affirming. This book will change lives, restore hopes to the brokenhearted, and remind the rest of us what is truly important." Carlos Lozado of The Washington Post called it, in a rave review, "a book that easily matches its title."

Simon also wrote the book Just Getting Started with Tony Bennett. His latest books is My Cubs: A Love Story about his lifelong fandom of the Chicago Cubs, and their historic World Series victory.

Simon is a native of Chicago and the son of comedian Ernie Simon and Patricia Lyons Simon. He is married to Caroline Richard Simon, and their daughters are Elise and Paulina. His hobbies are books, theater, ballet, British comedy, Mexican cooking, and "bleeding for the Chicago Cubs." He has thrown out the first pitch at Wrigley Field (low and outside) and appeared as Mother Ginger in the Ballet Austin production of The Nutcracker. Scott received the Order of Lincoln from the State of Illinois in 2016, the state's highest honor. He adds, "If you prick me, I'll bleed Chicago Cubs blue."

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