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How To Earn, Eat and Dance During A Depression

'Winners' Of The Great Depression

Hollywood — Throughout the Great Depression, as many as 80 million Americans went to the movies once a week or more. The introduction of films with spoken words added to the industry's popularity, and movies were a way for Americans to escape their gloomy economic realities.

Filmmakers and theaters slashed prices and introduced special promotions to keep viewers in seats. Although that high attendance rate fell in 1933 by about 40 percent, it was a sector that outperformed countless others during some of the hardest times for industry.

Mae West — Hollywood's vixen of the Great Depression, her starring roles in multiple films helped keep Paramount Pictures afloat.

She made $5,000 a week as a film actress and by the mid-1930s was paid $300,000 per acting performance and $100,000 per screenplay. Her hypersexualized roles were tamped down by censorship prompted by the 1930s Hays Code Of Decency, which was adopted by the Motion Pictures Producers and Distributors Association.

Joseph Kennedy — The father of President John F. Kennedy, and first chairman of the Securities and Exchange Commission, which was founded in reaction to the stock market crash.

He divested almost all of his stocks before the market collapsed. Kennedy's film business made him money before and during the Depression, as did his alcohol ventures.

Ironically, much of the questionable business methods he practiced would be the very ones he clamped down on during his stint as SEC chairman.

Procter & Gamble Co. — P&G knew that people would still buy its soap, even during the Depression. During the late 1920s and early 1930s, the company ramped up its advertising instead of cutting back. It was able to maintain and increase sales while other companies folded.

P&G also began daily radio serials to appeal to homemakers during this time. By 1939, these radio serials were widely known as "soap operas," and they inspired today's TV dramas.

Food Of The Great Depression

Soup became a staple because it could be made with whatever was in the kitchen, could be cooked in one pot and could be stretched just by adding water. Depression soup was one part ketchup to two parts water. Stale bread became croutons or bread pudding.

Dishes began to be made from a variety of weeds, like dandelions, milkweed and cattails.

People also began gardening to produce their own food and butchered their own meat. But many could no longer afford meat and began relying on meatless dishes like nut hash, black-eyed pea sausage, and meatloaf made of cottage cheese, crushed peanuts and rice.

Music Of The Great Depression

The crash and the Great Depression marked a change in popular musical styles. Songwriters wrote music that identified with the public mood or sought to keep people's minds off their hardships.

"Brother, Can You Spare A Dime?" (1932) is the most lasting piece of music from the era. Composer Rob Kapilow analyzed the song for NPR, taking note of the piece's minor key, syncopation and angry ending, all Depression-era musical traits.

"Life is Just a Bowl of Cherries" (lyrics by Lew Brown, music by Ray Henderson, 1931) sought to remind listeners that financial losses suffered during the crash and Depression weren't that important. "You can't take your dough when you go, go, go," warns the song. "Life is just a bowl of cherries, so live and laugh, laugh and love."

"Big Rock Candy Mountain," by Harry "Haywire Mac" McClintock, describes a hobo's paradise as a getaway from the despair of the Depression. In it there's a land of milk and honey, with cigarette trees, a soda water fountain, and handouts that grow on bushes.

"The Gold Digger's Song (We're In The Money)," by Benny Morton and his orchestra, is black Harlem's answer to the original song made popular in the film Gold Diggers of 1933. Lines like "Old Man Depression you are through — you done us wrong," make it a cheery send off to the Great Depression, albeit a few years too early.

"If I Ever Get A Job Again," by Dick Robertson, offered wishful promises for post-Depression life: "If I ever get a job again, I will never be a snob again! I'm through with stocks and bonds, I'd rather spend it all on blondes — If I ever get a job again!"

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